Just in case you've been looking for new posts here, I've moved the contents of this blog (including a number of new posts) to this more easily remembered address:
www.hughcoyle.com
Thanks for your interest in The Vivid Ellipsis.
- H
The Vivid Ellipsis
Wednesday, February 15, 2012
Monday, January 16, 2012
American Anger, Part One
American Anger, Part
One
Preface: This is Part One of what I hope will be an
ongoing, potentially year-long exploration of this subject. The topic seems
well-suited to the “blog” format, serving more as a catalyst for conversation
rather than a definitive treatise on the topic. I look forward to continuing
the conversation in hopes of reaching some constructive insights, conclusions,
and potential remedies.
As you’ll no doubt
quickly note, my take on American anger is a rather personal approach; your
choices for taking on the topic may no doubt differ. Despite that, I’ll be
using terms like “Americans “ and the first-person-plural pronoun “we” rather
liberally throughout the entries. I do this merely as shorthand, fully aware
that it’s literary sleight of hand, both a contrivance and a conceit. I don’t
intend to suggest that there are absolute universal truths here, especially
since the insistence on universal absolutes in society tends to generate the
very anger I’ll be analyzing.
As always, thanks for
reading, and even more thanks to those who respond to provoke or inspire
further insight.
1. Use Your Words
American anger fascinates me.
Here we are, billing ourselves as the “best, greatest,
richest, most powerful” nation in the world, and yet people all over the
country claim to be angry. Watching the growth of the Tea Party movement in
2010 was like watching the now-famous scene in Sidney Lumet’s 1976 film
“Network” in which mentally ill talk-show host Howard Beale inspires his
viewers to lift up window sashes across the country and shout out into the
night: “I’m mad as hell, and I’m not going to take it any more!” Everyone was
mad as hell for different reasons, but there was a feeling that bringing all
that rage together into one unifying cry might make it either coherent or
effective. (Spoiler alert: it didn’t.) In many ways, it echoed a couple of the
poet Walt Whitman’s famous lines from “Song of Myself”:
I,
too, am not a bit tamed, I too am untranslatable,
I
sound my barbaric YAWP over the roofs of the world.
It was not a specific word or words that Whitman called out
into the night; it was not an intelligible phrase or clause. It was a sound, an
utterance, savage and undomesticated, more animal than human. In a way, Whitman
was suggesting, people had been making those sounds for years and would
continue for many more, well beyond his own eventual death. We might never come
to know who he was or what he meant, but discussion about it “shall be good
health to you nonetheless.”
In this election year, 2012, we are hearing quite a few
YAWPS across the political landscape, some less tamed and translatable than
others.
In addition to all the contemporary social and political
dissent, there is a perhaps an even more powerful undercurrent of dissonance—the
lack of a rational link between one’s beliefs and one’s reality, however either
one is perceived. It’s the feeling we get when we pay top-dollar for something
only to find that it’s cheaply made or ineffectual. We vote for a candidate
based on his or her promises only to find those promises later ignored. (To
provide some continuity between this blog and an earlier entry on football’s
“Tebow Time” phenomenon, dissonance was that sickening feeling the
hyper-religious quarterback’s more fanatic fans experienced when the Denver
Broncos were humiliated by the New England Patriots in a recent playoff game.
For the sake of divisional fairness, it was also the sickening feeling the
Green Bay Cheeseheads felt when Aaron Rodgers and the nearly-perfect Packers
succumbed to the New York Giants the very next day.)
I’ll be talking much more about dissonance and its relation
to anger later on, but it’s worth mentioning here just to keep the idea in mind
as the discussion of anger progresses.
As Americans, we see anger glorified throughout our culture,
from movies to music, sports to politics. Despite our supposed Judeo-Christian
foundation, we have movements in the country that promote violence and greed
over diplomacy and charity. As our young people’s generation comes to define
itself (or, to put it in the passive voice, lets itself be defined by others)
as “ironic,” it also grows indifferent to irony’s cousin, hypocrisy. Sarcasm
provides an easy segue from skepticism to cynicism, providing many a political
pundit on both ends of the political spectrum with the equivalent of sniper’s
bullets.
When anger wears us down into a numbed state of depression,
anger’s inward-turned doppelganger, we shrug our shoulders and try to focus our
attention elsewhere. For some, this may translate into another glass of wine,
another dose of Xanax, another marathon session watching the Real Housewives of
Whatever County spit their venomous barbs at one another. Other folks may start
in on the next level of “Angry Birds,” one of the highest-grossing games in our
country. Or perhaps you want to take a virtual trip around the world—killing
people and blowing things up along the way—in America’s top game of the
Christmas season, Call of Duty: Modern Warfare 3. What a wonderful gift to commemorate
the birth of the Prince of Peace. (See how easily the sarcasm comes?)
Many players of these games claim that such pastimes are
cathartic—that they help “release tension” and “blow off steam” at the end of a
stressful day. If that were truly the case, violent movies and first-person
shooter games would leave the players in a state of blissful repose at the end
of a session. Instead, they ramp up the emotions and boost the adrenalin. (Full
disclosure: I play an occasional hour or two of “World of Warcraft” myself at
the end of a busy day, so I know that to be successful as a warrior, you need
to “generate rage.” It’s right there in the game manual.)
So maybe the term cathartic
is a canard when we choose violence-based entertainment as a relief or release
of our internal anger and frustration. I’d argue that the proper word is indulgent. Pressing further, I’d express
concern that a more appropriate adjective might be catalytic. America seems to like things super-sized, so it’s no
surprise that when it comes to anger, amplification isn’t just acceptable; it’s
preferable.
An admission: cathartic,
indulgent, and catalytic are big
words. I’m a writer, so I sometimes use big words. That’s because language,
like anger, fascinates me. They’re both acts of expression that have rich,
sometimes hidden, roots and origins. Example: I wrote a poem about one such
instance, the word decimate. Many
people think it means “to destroy completely and indiscriminately.” In fact,
the word is based on the Latin root for the number ten and originally meant a
methodical act of slaughter in which exactly one victim in ten was killed.
(Ironic, eh?) The meanings of words may evolve over time, but the origins of
their species are there for all to comprehend and appreciate.
But I digress. Let’s return to the notion of anger as a
cathartic force and set forth a little thought experiment. Imagine that you’re
a parent dealing with a red-faced child whose inexplicable rage has sent
cereal, milk, and orange juice flying across the kitchen. To calm the child,
would you—
a. put
on some soothing, New Age music and send the child into the corner for a
five-minute “time out” period of self-reflection?
b. tell
the kid to march off to his/her room and go the f*ck to sleep?
c. tell
the child to imagine having an automatic weapon in his/her hands during a
stressful, high-stakes combat mission whose outcome will determine the fate of
all mankind?
d. ask
the child, “Why are you so angry?”
Now imagine America as a red-faced child.
Modern child-rearing gurus recommend option d. Many advise
parents to respond to their children’s extreme behaviors with the expression
“Use your words.” This doubles as both an encouragement of self-expression and
a redirection of energy. It’s a graceful dance step that moves the child away
from visceral reaction toward more cerebral creation. Emotions, meet intellect.
Intellect, say hello to emotions.
To some, however, “use your words” is just so much
poppycock. To quote the blogger MetroDad, a rather literate and opinionated New
Yorker: “I think it's a bullshit mantra that only helps raise the next
generation of pussies.” Like it or not, that’s using your words.
In some ways, “use your words” promotes a form of therapy.
It seeks to replace the outburst with what we might call the “inburst,” a
breaking-and-entering of the psyche in order to see what secrets are hidden in
the closets or nailed beneath the floorboards. We ask a child “what’s really
bothering you?” with an expectation of stolen snacks or missing pets, but
sometimes the answer shocks and surprises. I’d argue that this is true even
when we as adults ask the question of ourselves.
It’s no surprise that many people view creative expression
as a form of therapy. Just read the inexhaustible output of writers writing
about writing, a quite profitable if overindulgent niche market. We’ve even
“verbed” the word “journal.” Did you know that people who journal frequently
are able to reduce their stress and manage their anger more efficiently? I
could say the same thing about blogging, but then there’s that quote up above
from MetroDad. (I kid MetroDad. His blog entries are actually quite amusing,
entertaining, and even insightful.)
Too often these days, when it comes to using our words,
people settle for quick fixes rather than deep introspection. It’s the
140-character Tweet of the daily pet peeve versus Plato’s lifetime of
examination. I’m not suggesting that everyone sign up for therapy sessions, but
I do ask friends and colleagues to strive for clarity and honesty in their
communications. That often requires work. True expression isn’t effortless.
Even as I write this, I am surrounded by reference
materials. As a writer, it often isn’t enough simply to “use your words.” As
you’ve noticed, I often rely on the words of others, be they expressed in song
or psalm, poetry or prose, book or blog. I would be lost without the
dictionary, the thesaurus, the atlas, the encyclopedia, and the patient
guidance of my editor/husband—even though all of those things can tempt me
along time-consuming tangents with their fascinating insights. Likewise, I am
inspired and guided by the works of scholars like Geoffrey Nunberg, whose books
and NPR spots on language have both educated and entertained me. Honestly, how
many of you get excited when you see an essay entitled “The Politics of
Polysyndeton” Hands? Hands? Hello?...
My own fascination with language started in second grade,
and it has grown deeper ever since. Even so, one catalytic instant stands out.
(Please, if you still don’t know what catalytic
means, either look it up on your iPad’s dictionary or ask your car mechanic.
After all, these elite, ten-dollar words aren’t reserved for professors holed
up in their ivory towers. If you truly love your country, learn the English
language. Have I made my appeal clear in both liberalese and conservatese?)
Elie Wiesel, winner of the Nobel Peace Prize in 1986 and the
holder of a Congressional Medal of Honor, is another humanitarian hero of mine.
Wiesel spent most of his life coming to terms with the violence, anger, and
despair he witnessed as a concentration camp prisoner during the Holocaust. I
heard him speak about his experiences shortly after he received the Nobel
Prize. One of his responses during a question-and-answer session has haunted me
ever since.
“Americans,” he stated matter-of-factly, “have one of the
most violent languages in the world.”
The truth of that comment struck me. No…it hit me in the
face. No…it blindsided me. No…it knocked me out. No…it fell on me like a ton of
bricks. No…it blew my mind. No…it bowled me over.
Everywhere I went and everyone I talked to—suddenly, I was
keenly aware of the insidious presence of anger and violence in everyday
American language. On one occasion, I felt compelled to alert a pacifist
minister to her repeated use of violent idioms and imagery in a sermon on
compassion. She stood there dumbstruck (as we say), amazed by the horrible
truthfulness of the comment.
For a while after hearing Elie Wiesel speak, I too felt dumbstruck, “made silent by
astonishment” (to quote Webster). As a writer, I also felt aware in a way I had never felt or experienced before. The Buddhist
in me smiled silently. Mindfulness, after all, is one of the key concepts of
the practice, summed up simply in the popular mantra “Be here now.”
And so here I am, now, in an American culture defined (in
part) by its reactionary anger toward so many things—including each other. I’m
struggling to understand that anger, both in myself and in others, and to use
my words to describe it. But what do we talk about when we talk about anger?
Defining anger, as I hope to demonstrate in the forthcoming
part two, is no easy task, but it’s well worth the effort. Our fate as a
nation, if I can ramp up the election year rhetoric, may actually depend on it.
• • •
Playlist for
“American Anger”
“Music is food,” says
my artist-friend James “Mayhem” Mahan, and so this post comes with a playlist
for the full multi-media experience. These are songs that fed my mind as I
considered this post and its upcoming parts. It’s also collaborative, so if
you’re on Spotify, I encourage you to contribute as well as to listen. Mostly
it’s for fun…testing once again how all of this interactive interconnected
technology works. Enjoy.
1. Green
Day, “American Idiot”
2. Public
Image, “Rise”
3. Nine
Inch Nails, “Terrible Lie”
4. Kanye
West, “Monster”
5. Florence
and the Machine, “Kiss with a Fist”
(You can listen to and help build this playlist on Spotify
here:
Friday, January 6, 2012
The Best of 2011...Is Yet to Come.
![]() |
| "Opportunity for Reflection" |
The Best of 2011…Is Yet to
Come
First of all, happy Gregorian 2012 to everyone!
In this season of endings and beginnings, I’ve been thinking
instead about continuity and the hope that it offers us. After all, just a few
weeks ago many of us were celebrating the winter solstice, that annual moment
when Earth’s perpetual journey around the Sun begins to favor daylight over
darkness. We could say with scientific certainty that brighter days were ahead.
Ecologically, this is also the time when seeds stir in the earth and prepare
for the upcoming growth seasons, even though their first green shoots are still
a few months off. We celebrated that cycle of life along with the turning wheel
of the seasons—the ongoing recurrence of natural patterns over time.
From the winter solstice, fast-forward a few weeks and the
focus shifts to the close of the calendar year, a somewhat arbitrary and
historically variable marker. After all, if you so desired, you could celebrate
New Year’s Eve throughout the year, as long as you researched all of the
lesser-known calendar-flips (Happy Gudi Padwa, everyone!) in addition to the more
well-established date-changers, such as Rosh Hashanah and the Chinese Spring
Festival. For much of the world, however, the calendar established by Pope
Gregory XIII holds sway, making us all followers of the Catholic tradition, if
only for a short time. This might explain all of those confessions of guilt and
penitent vows of self-renewal associated with New Year’s resolutions.
(Religious history purists can make what they want of the fact that January 1
also marks the supposed anniversary of Jesus’s circumcision. Perhaps that
explains the noisemaker tradition?)
In western culture, the end of the calendar year has also
become a time of retrospective judgment. “Best of” lists vie with “Worst of”
lists for our consideration. Many of these seem contrived solely to boost sales
at the end of the fourth business quarter (or second, if your company uses the
July-to-June model). It’s probably no coincidence that the holiday season
segues so seamlessly into the “awards season.”
For a long time, I was a huge fan of year-end best-of lists.
Reading them was like sneaking a peek at the teacher’s edition of some cultural
textbook: Had I chosen the right movies to watch? Did I memorize the words to
the most worthy songs? Would reading the highest-rated books provide clues to
help propel my own to the top of the list some day? One of my friends, a film
studies major, regularly sent out a detailed report of his top-rated movies
from the previous year, and I learned a great deal about cinema while studying
his reviews and rationales. For weeks afterward, I sought out the films he had
mentioned—no small feat, given the obscurity of some of them and the occasional
lack of comprehensible subtitles.
Then, one year during graduate school, it all went sour. A
film critic published his “Best of the Year” list in the city’s newspaper.
There were just a few slight problems. First of all, he hadn’t screened all of
the movies that had been released that year (but then again, who could?).
Perhaps more importantly, he confessed that he hadn’t yet seen some of the
films topping the box office charts or other critics’ “best of” lists.
Furthermore, several of the movies that he mentioned were well over a year old,
and the reviewer admitted to having only SEEN them during the course of that
calendar year. In short, his list was a sham.
A subsequent exchange of letters between the reviewer and me
was quite instructive and forever changed both our minds about end-of-year
pronouncements. During our conversation, we noted that a movie often takes
years to produce and premiere. The film itself is, in turn, based on a
screenplay that may have been written and developed for several years prior to
that. By extension, some films are based on pre-existing stories and novels
(and, in more recent times, comics and board games). Those original artistic
creations themselves might have required years of germination. The date stamped
on such a film (or novel or musical composition) masks years of hard work and
risks becoming, as dates sometimes do, misleading and meaningless.
Based on these musings, I will go out on a limb and suggest
that Jane Austen did not fret over the fact that Pride and Prejudice was not named “Best Novel of 1799,” the year in
which she completed the first draft of the manuscript. In fact, she would have
to endure another fifteen “not-best-of” years before the book was even
published. This should serve as an inspiration to all of us who labor on long-term
projects like novels, child-rearing, and the deployment of particle
accelerators. Some things just take time. To appropriate T.S. Eliot, those of
us who craft lengthy books should measure out our lives with coffee spoons and
printer cartridges, not calendar pages.
So, for many who look upon the start of a new year as a time
to “take stock and start anew,” I counsel patience and perseverance instead.
There is no reason to pause at this specified instant and judge what we did or
did not achieve in 2011. Opportunities for reflection will no doubt come in
2012, and we can decide for ourselves which moments and contexts best serve our
current endeavors.
In the meantime, here’s looking forward—perhaps far
forward—to those future years in which the seeds we planted all these past years
bear fruit.
Friday, December 30, 2011
Saying Goodbye to Santa Claus
Saying Goodbye to Santa
Claus
Spoiler Alert: Santa’s
“Big Secret” revealed in this blog entry.
Exhibit One: Me with Santa Claus at home in the 1960s, proof
positive that he exists.
Now that Santa has flown in, tucked gifts under trees both
hither and yon, and headed back to the North Pole for some well-deserved
R&R, I feel it’s time to take a look at one of America’s biggest myths and
think about how it may have affected us as a nation…or not.
But first, in the spirit of the holiday season, I offer a
nostalgic visit to my hometown in Massachusetts circa 1970. Picture plastic
candles in each street-facing window and a lacquered pinecone wreath adorned
with a festive red felt bow on the front door. If you peer in through the
spray-on snow frosting the windows, you can see me carefully filling a plastic
garbage bag with dozens of gifts. My parents watch, slightly puzzled but mostly
silent, as I pull on my snow boots and mittens, then leave the house, bag slung
over my shoulder.
A week or so earlier, I had learned a shocking truth that
rocked my little world—a secret that had been kept by nearly every adult I had
ever met. They had lied to me, these adults. People whom I had trusted
entirely, including the local minister and my own parents, had taken part in an
international conspiracy and perpetrated a myth, a fantasy, a fiction. The
story included a conveniently distant setting, a saintly protagonist (whom I
had met in person on several occasions), and a desirable plotline that evoked
grand themes of peace, good will, and generosity. To cover their tracks, my
parents had even planted evidence: sleigh bells jangled as sound effects in the
wee hours of Christmas morning; cookie crumbs and half-drunk tumblers of milk
left on the metal TV table set up alongside the chimney.
All of this was an elaborate scheme that blurred the lines
between fiction and nonfiction, between fantasy and reality. Young and
gullible, I was easily duped. Of course there was a Santa. Of course reindeer
flew. Why even question the physics of how, in one single night, a rather
rotund man could pilot a craft to every single household around the world and
leave presents for all the good boys and girls—and still have time to toss back
some cookies and sip some milk in each abode?
In asking me to believe in such fantastic things, my parents
taught me an important lesson that would be vital to my budding literary
ambitions: how to suspend disbelief. In doing so, however, they taught a
corollary lesson: how to suspend belief. In other words, in order to suspend my
disbelief in Santa Claus, I also had to suspend my belief in many of the
lessons learned in grade school (science, geography, math, etc.).
In some ways, then, the revelation that Santa Claus was a
fabrication probably came as something of a relief to me. The dissonance
between fantasy and fact, between what I was being told to believe and what I
was learning to be true, lessened. That psychological summary may be a bit too
deep to ascribe to an eight-year-old’s consciousness, so let me state it
another way: Santa or no, the presents were still there on Christmas morning,
and so all was well with the world.
Luckily for me, my parents didn’t serve up the revelation
about Santa Claus with a simple “Sorry, kid, but that’s just the way it is.”
They discussed the importance of symbolism and how this extended to the Santa
myth, claiming that while Santa himself may not be real, the spirit of giving
that he represents lives on in the hearts and souls of all those who have heard
his story. Any fan of the famous “Yes, Virginia, There Is a Santa Claus”
newspaper editorial might have accused my parents of plagiarism, but I could
tell they were sincere.
Still: Such power in a fictional tale! Suddenly, my dreams
of becoming a fiction writer one day became a vastly more important, almost
religious endeavor. See how the power of a story, even a fictional story like
Santa Claus, could have such great positive effect on the real human world!
And so I headed off into the night with my makeshift Santa sack.
Inside I had placed carefully wrapped toys and books for the kids, and on the
second and third winters’ visits, some ribbon candy for the adults in each
household. I carried on the tradition until, one year, something unexpected
happened. Some families had wrapped and readied gifts and treats for me.
Somewhat embarrassed by their assumption that I expected something in return, I
ended the Christmas Eve tradition that same year.
For years, I forgot about this bit of personal history. I
was recently reminded of it by an article about a Vermont teacher accused of
being unprofessional and irresponsible for spilling the beans about Santa in a
fifth-grade classroom. The teacher had asked students to list names of famous
people in American history. In order to keep the lesson focused on facts, the
teacher felt compelled to leave figures such as Winnie the Pooh, Harry Potter,
and Santa Claus off the list. (I could not tell from the article if she allowed
the also-mentioned Jeff Foxworthy and Justin Bieber to remain on the list, but
that’s another discussion for another time.)
(The full article is here:
The mother who raised the “unprofessional” and
“irresponsible” charges against the teacher went on to say that teaching about
Santa Claus was like teaching about religion: the topic is best set aside with
recommendations to ask one’s parents about such things. That seems fair
enough…until I thought about the goals of education in general.
Since a good part of my day job (writing and editing
educational materials) relies on the various state standards developed by
school boards (many of them quite conservative) around the country, I know that
“learning to distinguish between fantasy and reality” is a pretty important
benchmark in the lower grades. (Keep in mind that the instance noted above took
place in a fifth-grade classroom.) In
other words, children are required to differentiate between nonfiction and
fiction (fairy tales, myths, legends, and the like). Teachers are required to
provide students with the skills and strategies to do this. By fifth grade,
then, your average American student should have the reasoning skills to figure
out the Santa thing on her/his own. Any parent who disagrees risks spotlighting
their children as slow learners—perhaps along with themselves.
According to research done by psychiatrists at Ithaca
College and Cornell University in the 1990s, the average American child learns
the truth about Santa at age 7 1/2. However, after interviewing 500
elementary-school children, they discovered that “Many children kept up the
charade after they knew the truth…because they did not want to disappoint their
parents.”
Parents, take a moment to reflect one the meaning of
that last clause (no pun intended). Your kids may be duping you into believing
that they still believe in Santa. I think back on my own behavior as a
pseudo-Santa and wonder if that was, in some warped way, an effort to turn the
lies my parents had told me into truths…ergo, my parents had not lied to me
after all.
Further, Dr. John Condry, one of the authors of the
Ithaca/Cornell study, reported, “Not a single child told us they were unhappy
or upset by their parents having lied about Santa Claus. The most common
response to finding out the truth was that they felt older and more mature.
They now knew something that the younger kids didn't.”
(You can read more about the study here:
http://www.nytimes.com/1991/11/21/garden/parent-child.html?pagewanted=2&src=pm)
http://www.nytimes.com/1991/11/21/garden/parent-child.html?pagewanted=2&src=pm)
This finding surprised me. “Not a single child”?
Parents, take another moment to think about telling your child that he or she
cannot have a toy or candy bar that he or she has already selected while you
were shopping at the grocery store. When you took the item away, was your child
calm and well-mannered about it? Or was the response similar to those submitted
for a recent Jimmy Kimmel spot in which the talk show host asked parents to
tell their children, “Hey, sorry, I ate all your Halloween candy.” (Permissions
permitting, the videotaped results of this rather non-academic study are here: http://www.huffingtonpost.com/2011/11/03/jimmy-kimmels-ate-halloween-candy-challenge_n_1074334.html)
In a 2006 opinion piece in the New York Times, Jaqueline Woolley wrote, “Children do a great job
of scientifically evaluating Santa. And adults do a great job of duping them.
As we gradually withdraw our support for the myth, and children piece together
the truth, their view of Santa aligns with ours. Perhaps it is this kinship
with the adult world that prevents children from feeling anger over having been
misled.” What is this “kinship with the adult world” of which Woolley writes?
Is it the tacit understanding that adults lie, and that it is OK for them to
lie (or “support a myth”) on a grand scale?
(The link to the Woolley article is here:
http://www.nytimes.com/2006/12/23/opinion/23woolley.html?_r=1&oref=slogin)
http://www.nytimes.com/2006/12/23/opinion/23woolley.html?_r=1&oref=slogin)
Surely someone sees this Santa thing differently. For
balance, I turned to a group whose opposition to myths and distortions is part
and parcel of their identity: the objectivists. This group is huge these days
with Republicans and the Tea Party, both of which have renewed a fervent
interest in the writings of Ayn Rand, particularly as it applies to
self-determination and self-interest. Surely, the somewhat socialist “give
liberally to the poor children of the world” Santa myth (I base that
description on the story’s historical roots in relation to Saint Nicholas, who,
by the way, was also the patron saint of pawnbrokers) would be anathema to such
a group. And it is.
According to Andrew Bernstein, a senior writer of the
Ayn Rand Institute, “"Santa Claus is, in literal terms, the anti-Christ.
He is about joy, justice, and material gain, not suffering, forgiveness, and
denial.” Another quote from the article: "The commercialism of Christmas,
its emphasis on ingenuity, pleasure, and gift buying, is the holiday's best
aspect—because it is a celebration, the achievement of life."
(You can read the full piece, a celebration of the
commercialism of Christmas, here:
http://www.aynrand.org/site/News2?news_iv_ctrl=1263&page=NewsArticle&id=7632)
http://www.aynrand.org/site/News2?news_iv_ctrl=1263&page=NewsArticle&id=7632)
All of this leaves me as puzzled about Santa Claus as I was
when I learned the dark secret of his nonexistence. To this day, I give presents
that have “From Santa” scrawled on the tag, and I try to mask my own
handwriting despite the fact that the recipients know they’re from me.
Likewise, I love surprise presents: gifts that appear out of the blue from
anonymous sources, those random acts of kindness that rekindle our faith in
human generosity. (Special kudos to Ben and Jerry’s for a coupon they once
published that granted a free ice cream cone to the person in line behind you at one of their scoop shops.
Brilliant.)
The spirit of Santa lives on and is no lie. It survives
despite the increases in greed and entitlement—both running rampant through our
society today, malignant cancers that question and threaten human compassion
and generosity. I’d even argue that the spirit of Santa, despite its
secularization over the decades, also maintains its ties to the spirits of
nearly every religion, even those that claim independence from mythology or
dogma.
In the years ahead, perhaps we can pull that spirit back
from fiction and establish it fully as year-round fact. After all, nearly every
child longs for Santa to be more than a seasonal fantasy. Maybe it is up to the
child within us adults to make it so.
Postscript: I dedicate
this blog entry to my father (pictured above as Santa) who passed away in 2011
and was very dearly missed this Christmas season. His many gifts to me continue
to resonate throughout my life.
Friday, December 23, 2011
Cursing the Darkness
(photo from sometime back in the 80s, when
I was experimenting with my first camera)
“It’s better to light one candle than to curse the
darkness.”
Around this
solstice, when the nights are at their longest, the quote above provides a rich
opportunity for reflection. Derived from a Chinese proverb, the quote eventually
became the motto of a group called the Christopher Society in 1945. Their mission statement directs the group to “to encourage people of all ages, and from all
walks of life, to use their God-given talents to make a positive difference in
the world.” Years later,
Peter Benenson, the founder of Amnesty International, alluded to the proverb
during a Human Rights Day ceremony in 1961. The saying most likely inspired the
group’s current logo, a single candle entwined within barbed wire. Most
famously, perhaps, the proverb was paraphrased by Adlai Stevenson, the U.S.
Ambassador to the United Nations, in a tribute to Eleanor Roosevelt shortly
after her death in 1962. “I have lost more than a beloved friend,” Stevenson
said. “I have lost an inspiration. She would rather light a candle than curse
the darkness, and her glow has warmed the world.”
We’ve heard many
references to light, warmth, and “that special glow” during the holidays. They
figure prominently in nearly every secular and religious celebration of the
season. Likewise, we’ve also endured a fair share of quips and criticisms of
those same sentiments. These aren’t entirely without merit, especially given
the escalation of consumerism (and its twin sibling, capitalism) in American
culture. You could argue throughout the entire long night over whether to call
December 25 Christmas, Xmas, or ¢hri$tma$. Some people seem to make good money
doing just that on the cable news networks. For them, it seems, Shakespeare was
a prescient pundit when he wrote the line “Now is the winter of our
discontent.”
For many
Americans, this is indeed a winter of discontent. Some find themselves in dire
circumstances unexpectedly and unwillingly; others seem determined to foster
ill will and contempt as if to spite those in search of a spark in the
darkness. Cynicism has infected the populace, manifested most conspicuously by
vocal members of the Tea Party and Occupy Wall Street movements. Our political
leaders, present and possibly future, bicker and argue, preferring to snipe at
one another in an effort to score points rather than work together on real solutions
to the day’s problems. Even literature and music, once places of refuge and
sanctuary for me, have become overloaded with sass and snark. (More on this
phenomenon in subsequent blog entries.)
In short, we
find ourselves in dark times. What I wish for most of all this holiday season is
a cultural solstice of sorts, a return to what truly matters in our lives. For
me, this requires action and education on all our parts, the opposites of
laziness and ignorance. We should be fostering community and passionate
discourse, not demonizing one another and trading cheap shots in some petty
game of one-upsmanship. We should, in short, illuminate one another’s lives,
and reflect the light cast on us by others in the spirit of giving back and
returning favor.
In closing, I
offer up this quote from the New Testament of the Christian Bible. I’d prefer to change the word
“armour” to “vestments,” but who am I to edit the work of countless translators
and editors before me? I chanced across the line while doing research for this
post. Then, when I went to verify the wording in my own Bible, the book opened directly to the proper page. Make of that
what you will.
The night is far spent, the day is at
hand: let us therefore cast off the works of darkness, and let us put on the
armour of light. (Romans
13:12)
Monday, December 12, 2011
Touching the Nerve: Taking on "Tebow Time"
[Music cue:] Sound effect from “127 Hours,” just as Aron
Ralston is about to slice the blade of his knife across the exposed nerve on
his self-severed arm.
Over the years, I’ve learned that the best subjects to write
about are the ones that touch nerves, and nothing seems to be touching nerves
these days quite like the “miraculous” comebacks staged by the Denver Broncos.
Strong feelings, pro and con, have led to strongly worded commentaries in the
media and threatened to fracture friendships across the country. Obviously,
it’s a topic worth taking on.
For those not familiar with football, the Broncos are the
current leaders in the AFC West after having been dismissed by the pigskin
pundits as a longshot for the playoffs. That was before rookie quarterback Tim
Tebow took over the starting star position and led the team to win seven of its
last eight games in clutch situations. Tebow is most widely known for his
overt religious beliefs, which has led him to inscribe Bible verse references
under his eyes during games, appear in an anti-abortion advertisement last
year, and kneel down in prayer frequently during games to beg Jesus Christ for
assistance. Tebow is also known for his rather mediocre NFL passing statistics coupled
with a strong preference for holding on to the ball and running to make plays
by himself.
As a person, Tim Tebow appears to be a natural leader. He
has done an extraordinary amount of charitable work in his life to date—far
more, most likely, than either his most vocal critics or advocates. His
performance as a college quarterback made him a worthy recipient of numerous
awards. In short, he seems like a pretty decent guy, especially in the company
of his peers. He’s not working on a criminal rap sheet, not being caught in
scandalous romances, and not making weekly headlines for trash-talking about
his opponents.
So why all the hullaballoo? It’s not who Tim Tebow is; it’s
what he stands for. With that in mind, let me make one thing clear at the
outset: I’m talking about “Tebow Time” here, not Tim Tebow himself. This is a
classic case of a public schism between man and myth, self and symbol, fact and
fiction, and, in some ways, between reality and fantasy. No wonder it’s got so
many people ticked off.
Americans, like many folks around the world, love their
myths and legends. People are willing to twist history into a desired narrative
in order to explain the currently inexplicable, maintain the established order,
or justify unproveable beliefs.
Over the weekend, I noticed a number of commentators using the words
“script” and “narrative” to describe how, yet again, the Denver Broncos were
trailing in the final minutes of a game and somehow, miraculously (there’s that
word again), won a game. According to an account I read this morning, Tim Tebow
won the game against the Bears with two crucial field goals: one in the fourth
quarter and one in overtime.
Of course, a writer/editor craves accuracy and specifics, so
I must stop here to point out that Tim Tebow did not kick the tying or the
winning field goal. He’s a quarterback, remember? But here’s the first thing
about “Tebow Time”: For many people, it’s all about Tim Tebow. People
desperately want it to be all about
Tim Tebow. Why? Because to a great extent, American myths and legends are about
individuals, not collectives. How many times have you heard this line in a
movie: “You’re the only one who can save us.” From “The Matrix” to “Avatar,”
this messianic streak is alive and well in American culture. You could argue
that it matches the political tenor of the times: rooting for a collective team
(of Muppets, let’s say, just to cite a most recent critique) seems, at its
core, suspiciously socialist. So, let’s foreground Tebow and background the
Broncos for the creation of this particular gridiron myth.
This creates an instant problem. As a quarterback in most
games, Tebow’s performance has been sub-par. Just look at the statistics and
compare them to any other quarterback playing the game today, rookie or not. Few
people seem to be suggesting, however, that God or Jesus Christ or the Holy
Ghost is motivating Broncos kicker Matt Prater, who scores so many of the
“miraculous” winning points. In most accounts of the Broncos phenomenon, I’m
sorry to say, Matt’s been a footnote. (Though I must point out, the poet in me
craves a “Pray for Prater” campaign.)
So at the outset, a little bit of dissonance creeps into the
picture, but let’s just ignore that for now. (If this is going to be a truly
American myth we’re creating here, we’ll have to ignore the inconvenient facts
for a while.) Instead, let’s consider that the Broncos are always a
come-from-behind team, which makes them the underdogs in nearly every game.
Despite its current standing as the #1 nation in the world, Americans love to
consider themselves outsiders and underdogs. Who knows why; they just do. More
on that in some future blog entry.
As come-from-behinders, Tebow and the Broncos always appear
to be beating the odds. The “lamestream” media can make all the predictions
they want; “Tebow Time” is all about pulling it out in the clutch. And if this
is God’s plan, as Tebow fanatics would have us believe, it leaves a few
uncomfortable questions. First of all, why does God let so many of Tim Tebow’s
passes miss the mark? Why do the Broncos fall behind in nearly every game? Why
is God such a tease? Why does God’s will always seem to necessitate and
instance of dumb luck? If Tim Tebow is truly representative of divine forces on
Earth, why did God not anoint a better quarterback? Why, for example, is there
no halo around Aaron Rodger’s head? If there’s any argument to be made for true
grace and strength in football these days, the holy land would be in Green Bay,
Wisconsin (even if, technically, the Bronco’s Mile-High Stadium is closer to
heaven).
One of the likely appeals of “Tebow Time,” however, is that
Tim Tebow looks like a regular joe. Aaron Rogers used to have that look, but
these days too much has been made of his swagger and confidence for him to satisfy
the casting call for common-man hero. Instead, we have the narrative of the
previously down-and-out Denver Broncos being led to victory by a back-up
quarterback without any glitzy or glamorous advertising contracts (yet). The
fact that some people question his skills and abilities just makes him more
like us. After all, it was no miracle that Eli Manning scored two touchdowns
against the favored Cowboys to win in the final minutes of the Sunday night
game. You expect that from a Manning. But a Tebow? Nah, he’s not one of the
“elite.” He’s one of us. His wins are, in a word, all the more “miraculous”
because of that. We can relate to that. If it were you or me on that field on
Sunday, we’d need a miracle to pull off a win as well.
By definition, a miracle is something out of the ordinary,
something unexpected or unprecedented. When people rhapsodize about “Tebow
Time,” they often suggest that they’ve never seen anything like this before.
But let’s again look back on American mythology. We have seen this before. In fact, in hard economic times, we see it
time and time again. Consider James Braddock, the supposedly down-and-out boxer
from the 30’s whose inspirational rise to the championship became a national
fixation during the Great Depression.
Or Seabiscuit, the odds-against underhorse who likewise inspired hope in
the odds-against masses of the Depression. In more recent times, I’d even
mention the post-9/11 New England Patriots with their own fresh-from-the-bench
backup in the lead, Tom Brady. In all of these cases, America latched on to an
underdog, finding hope in those who rose despite serious adversity.
But wait a moment. I may have gone a step too far here. Oh,
those beloved Patriots of old, who refused to be introduced as individuals in
Super Bowl XXXVI, instead staying true to their claims of being “a team.” They
were up against the clearly favored St. Louis Rams, led by a man as God-fearing
then as Tim Tebow is today: Kurt Warner. And lo, the Rams lost. In the final
moments. By a field goal. Dear God.
I’m not writing this to sing the praises of kickers like
Adam Vinatieri, though I certainly could after that clutch kick. I’m writing
this because writers like narratives, and the current Denver Broncos story is
one of today’s most talked-about examples. But like many writers, I question
narratives that distract from the central questions, whether those questions be
of the narratives themselves or the contexts in which those narratives occur.
And with “Tebow Time,” the central question seems to be about the positive
influence of Christianity in major-league athletics.
My argument is simple: It’s not that simple. It’s never that
simple. People wouldn’t be risking careers and friendships if it were that
simple. On any given Sunday (great movie, by the way), professional athletes
praise their Almighty and point to the sky all the time after a great play.
Keep in mind that a fair number of darn good pro football players are Muslims,
by the way. Oh, how this narrative would play out differently if Tim Tebow were
praising Allah and facing Mecca after every victory.
But something in America, nearly all of America, craves a
new hero these days. We’re looking for someone like us, facing oppressive
challenges and persevering despite dominant adversaries. With the political and
economic outlooks both bleak, we want a light in the darkness. We want
reassurance, an optimistic narrative, an uplifting myth. Some may turn to
movies and music, others to fiction and poetry. Others will look to the stadium
on winter’s Saturdays and Sundays.
Even so, some Americans don’t want that dream to have a
religious prerequisite. They don’t want it to have political or financial prerequisites,
either. We’d prefer that it take place on that mythological “level playing
field,” especially as so many other myths seem to be crumbling around us.
This seems to get at the heart of the “Tebow Time”
narrative. With “Tebow Time,” there is no level playing field. If we take that
myth at face value, then no amount of skill, talent, spirit, or grace will help
you win in the end. After all, Tim is the Chosen One. He is the only one who
can save us all. The health and survival of America’s entire professional
sports conglomerate depends on that one person.
If you mistake that myth for reality, then God help us,
every one.
Friday, November 25, 2011
Thanks Unspoken for Things Unknown
![]() |
| My mother and her mother, 1966. |
I had just offered to heat up some leftovers from the
previous day’s holiday dinner, which she had eaten with seeming enthusiasm. It
had been one of those rallying moments that the healthy label “miraculous” but
which, as my mother was now pointing out, require some sacrifice from the
infirm. Lying there in a hospital bed that dominated the small living room of
her and my father’s condo, she had been well aware of the significance of the
gesture. Her own mother had come to share the meal, and the hopeful smile on my
grandmother’s face was ample reward for swallowing a few bites of turkey.
A day later, however, there was no need to perpetuate the
myth. “I only cooked turkey all those years because the family liked it,” my
mother continued with the tone of relief that comes only from telling a
long-hidden truth. “Mom Basting the Turkey” images flickered through my mind as
if inside an old-time kinetoscope. This time, however, the sepia tones of
nostalgia were tinted with guilt and grief, a once-bright penny turned green.
There was much that my mother, like countless other mothers
of her generation, bore in silence. She had her occasional moments of frustration,
especially after treatment after treatment failed to cure her cancer, but
mostly she held up a solid front. This was, after all, what one expected from
Mother, the traditional archetype. If the holiday season demands anything from
us, it demands fealty to both tradition and archetype.
And so, this Thanksgiving, I read and listened as folks
shared thanks for the standard list of reasons and recipients. I also read and
listened as the opposing side voiced equally generic complaints about the
holiday, lacing their mock apple pies with cynicism instead of cinnamon. Same
penny, different faces: one side sepia, one side green.
In the end, I have to say I side more with sepia. Why? Because
my mother sacrificed too much all those years to jade her memory—our memories—today.
She cooked all those turkeys as a gift to her family, and that memory stands as
a tribute to a type of selflessness that can be rather hard to discern amidst today’s
scenes of hyperconsumerism. We can certainly question its origins and debate
its evolution, but the fact remains that in our household at least, my mother
did what she did out of love. “Thanks” is the least I can say in return.
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