Wednesday, February 15, 2012

Change of Address

Just in case you've been looking for new posts here, I've moved the contents of this blog (including a number of new posts) to this more easily remembered address:
www.hughcoyle.com

Thanks for your interest in The Vivid Ellipsis.

- H

Monday, January 16, 2012

American Anger, Part One



American Anger, Part One

Preface: This is Part One of what I hope will be an ongoing, potentially year-long exploration of this subject. The topic seems well-suited to the “blog” format, serving more as a catalyst for conversation rather than a definitive treatise on the topic. I look forward to continuing the conversation in hopes of reaching some constructive insights, conclusions, and potential remedies.

As you’ll no doubt quickly note, my take on American anger is a rather personal approach; your choices for taking on the topic may no doubt differ. Despite that, I’ll be using terms like “Americans “ and the first-person-plural pronoun “we” rather liberally throughout the entries. I do this merely as shorthand, fully aware that it’s literary sleight of hand, both a contrivance and a conceit. I don’t intend to suggest that there are absolute universal truths here, especially since the insistence on universal absolutes in society tends to generate the very anger I’ll be analyzing.

As always, thanks for reading, and even more thanks to those who respond to provoke or inspire further insight.


 1. Use Your Words

American anger fascinates me.

Here we are, billing ourselves as the “best, greatest, richest, most powerful” nation in the world, and yet people all over the country claim to be angry. Watching the growth of the Tea Party movement in 2010 was like watching the now-famous scene in Sidney Lumet’s 1976 film “Network” in which mentally ill talk-show host Howard Beale inspires his viewers to lift up window sashes across the country and shout out into the night: “I’m mad as hell, and I’m not going to take it any more!” Everyone was mad as hell for different reasons, but there was a feeling that bringing all that rage together into one unifying cry might make it either coherent or effective. (Spoiler alert: it didn’t.) In many ways, it echoed a couple of the poet Walt Whitman’s famous lines from “Song of Myself”:

            I, too, am not a bit tamed, I too am untranslatable,
            I sound my barbaric YAWP over the roofs of the world.

It was not a specific word or words that Whitman called out into the night; it was not an intelligible phrase or clause. It was a sound, an utterance, savage and undomesticated, more animal than human. In a way, Whitman was suggesting, people had been making those sounds for years and would continue for many more, well beyond his own eventual death. We might never come to know who he was or what he meant, but discussion about it “shall be good health to you nonetheless.”

In this election year, 2012, we are hearing quite a few YAWPS across the political landscape, some less tamed and translatable than others.

In addition to all the contemporary social and political dissent, there is a perhaps an even more powerful undercurrent of dissonance—the lack of a rational link between one’s beliefs and one’s reality, however either one is perceived. It’s the feeling we get when we pay top-dollar for something only to find that it’s cheaply made or ineffectual. We vote for a candidate based on his or her promises only to find those promises later ignored. (To provide some continuity between this blog and an earlier entry on football’s “Tebow Time” phenomenon, dissonance was that sickening feeling the hyper-religious quarterback’s more fanatic fans experienced when the Denver Broncos were humiliated by the New England Patriots in a recent playoff game. For the sake of divisional fairness, it was also the sickening feeling the Green Bay Cheeseheads felt when Aaron Rodgers and the nearly-perfect Packers succumbed to the New York Giants the very next day.)

I’ll be talking much more about dissonance and its relation to anger later on, but it’s worth mentioning here just to keep the idea in mind as the discussion of anger progresses.

As Americans, we see anger glorified throughout our culture, from movies to music, sports to politics. Despite our supposed Judeo-Christian foundation, we have movements in the country that promote violence and greed over diplomacy and charity. As our young people’s generation comes to define itself (or, to put it in the passive voice, lets itself be defined by others) as “ironic,” it also grows indifferent to irony’s cousin, hypocrisy. Sarcasm provides an easy segue from skepticism to cynicism, providing many a political pundit on both ends of the political spectrum with the equivalent of sniper’s bullets.

When anger wears us down into a numbed state of depression, anger’s inward-turned doppelganger, we shrug our shoulders and try to focus our attention elsewhere. For some, this may translate into another glass of wine, another dose of Xanax, another marathon session watching the Real Housewives of Whatever County spit their venomous barbs at one another. Other folks may start in on the next level of “Angry Birds,” one of the highest-grossing games in our country. Or perhaps you want to take a virtual trip around the world—killing people and blowing things up along the way—in America’s top game of the Christmas season, Call of Duty: Modern Warfare 3. What a wonderful gift to commemorate the birth of the Prince of Peace. (See how easily the sarcasm comes?)

Many players of these games claim that such pastimes are cathartic—that they help “release tension” and “blow off steam” at the end of a stressful day. If that were truly the case, violent movies and first-person shooter games would leave the players in a state of blissful repose at the end of a session. Instead, they ramp up the emotions and boost the adrenalin. (Full disclosure: I play an occasional hour or two of “World of Warcraft” myself at the end of a busy day, so I know that to be successful as a warrior, you need to “generate rage.” It’s right there in the game manual.)

So maybe the term cathartic is a canard when we choose violence-based entertainment as a relief or release of our internal anger and frustration. I’d argue that the proper word is indulgent. Pressing further, I’d express concern that a more appropriate adjective might be catalytic. America seems to like things super-sized, so it’s no surprise that when it comes to anger, amplification isn’t just acceptable; it’s preferable.

An admission: cathartic, indulgent, and catalytic are big words. I’m a writer, so I sometimes use big words. That’s because language, like anger, fascinates me. They’re both acts of expression that have rich, sometimes hidden, roots and origins. Example: I wrote a poem about one such instance, the word decimate. Many people think it means “to destroy completely and indiscriminately.” In fact, the word is based on the Latin root for the number ten and originally meant a methodical act of slaughter in which exactly one victim in ten was killed. (Ironic, eh?) The meanings of words may evolve over time, but the origins of their species are there for all to comprehend and appreciate.

But I digress. Let’s return to the notion of anger as a cathartic force and set forth a little thought experiment. Imagine that you’re a parent dealing with a red-faced child whose inexplicable rage has sent cereal, milk, and orange juice flying across the kitchen. To calm the child, would you—
a.     put on some soothing, New Age music and send the child into the corner for a five-minute “time out” period of self-reflection?
b.     tell the kid to march off to his/her room and go the f*ck to sleep?
c.      tell the child to imagine having an automatic weapon in his/her hands during a stressful, high-stakes combat mission whose outcome will determine the fate of all mankind?
d.     ask the child, “Why are you so angry?”
 
Now imagine America as a red-faced child.

Modern child-rearing gurus recommend option d. Many advise parents to respond to their children’s extreme behaviors with the expression “Use your words.” This doubles as both an encouragement of self-expression and a redirection of energy. It’s a graceful dance step that moves the child away from visceral reaction toward more cerebral creation. Emotions, meet intellect. Intellect, say hello to emotions.

To some, however, “use your words” is just so much poppycock. To quote the blogger MetroDad, a rather literate and opinionated New Yorker: “I think it's a bullshit mantra that only helps raise the next generation of pussies.” Like it or not, that’s using your words.

In some ways, “use your words” promotes a form of therapy. It seeks to replace the outburst with what we might call the “inburst,” a breaking-and-entering of the psyche in order to see what secrets are hidden in the closets or nailed beneath the floorboards. We ask a child “what’s really bothering you?” with an expectation of stolen snacks or missing pets, but sometimes the answer shocks and surprises. I’d argue that this is true even when we as adults ask the question of ourselves.

It’s no surprise that many people view creative expression as a form of therapy. Just read the inexhaustible output of writers writing about writing, a quite profitable if overindulgent niche market. We’ve even “verbed” the word “journal.” Did you know that people who journal frequently are able to reduce their stress and manage their anger more efficiently? I could say the same thing about blogging, but then there’s that quote up above from MetroDad. (I kid MetroDad. His blog entries are actually quite amusing, entertaining, and even insightful.) 

Too often these days, when it comes to using our words, people settle for quick fixes rather than deep introspection. It’s the 140-character Tweet of the daily pet peeve versus Plato’s lifetime of examination. I’m not suggesting that everyone sign up for therapy sessions, but I do ask friends and colleagues to strive for clarity and honesty in their communications. That often requires work. True expression isn’t effortless.

Even as I write this, I am surrounded by reference materials. As a writer, it often isn’t enough simply to “use your words.” As you’ve noticed, I often rely on the words of others, be they expressed in song or psalm, poetry or prose, book or blog. I would be lost without the dictionary, the thesaurus, the atlas, the encyclopedia, and the patient guidance of my editor/husband—even though all of those things can tempt me along time-consuming tangents with their fascinating insights. Likewise, I am inspired and guided by the works of scholars like Geoffrey Nunberg, whose books and NPR spots on language have both educated and entertained me. Honestly, how many of you get excited when you see an essay entitled “The Politics of Polysyndeton” Hands? Hands? Hello?...

My own fascination with language started in second grade, and it has grown deeper ever since. Even so, one catalytic instant stands out. (Please, if you still don’t know what catalytic means, either look it up on your iPad’s dictionary or ask your car mechanic. After all, these elite, ten-dollar words aren’t reserved for professors holed up in their ivory towers. If you truly love your country, learn the English language. Have I made my appeal clear in both liberalese and conservatese?)

Elie Wiesel, winner of the Nobel Peace Prize in 1986 and the holder of a Congressional Medal of Honor, is another humanitarian hero of mine. Wiesel spent most of his life coming to terms with the violence, anger, and despair he witnessed as a concentration camp prisoner during the Holocaust. I heard him speak about his experiences shortly after he received the Nobel Prize. One of his responses during a question-and-answer session has haunted me ever since.

“Americans,” he stated matter-of-factly, “have one of the most violent languages in the world.”

The truth of that comment struck me. No…it hit me in the face. No…it blindsided me. No…it knocked me out. No…it fell on me like a ton of bricks. No…it blew my mind. No…it bowled me over.

Everywhere I went and everyone I talked to—suddenly, I was keenly aware of the insidious presence of anger and violence in everyday American language. On one occasion, I felt compelled to alert a pacifist minister to her repeated use of violent idioms and imagery in a sermon on compassion. She stood there dumbstruck (as we say), amazed by the horrible truthfulness of the comment.

For a while after hearing Elie Wiesel speak, I too felt dumbstruck, “made silent by astonishment” (to quote Webster). As a writer, I also felt aware in a way I had never felt or experienced before. The Buddhist in me smiled silently. Mindfulness, after all, is one of the key concepts of the practice, summed up simply in the popular mantra “Be here now.”

And so here I am, now, in an American culture defined (in part) by its reactionary anger toward so many things—including each other. I’m struggling to understand that anger, both in myself and in others, and to use my words to describe it. But what do we talk about when we talk about anger?

Defining anger, as I hope to demonstrate in the forthcoming part two, is no easy task, but it’s well worth the effort. Our fate as a nation, if I can ramp up the election year rhetoric, may actually depend on it.

• • •

Playlist for “American Anger”

“Music is food,” says my artist-friend James “Mayhem” Mahan, and so this post comes with a playlist for the full multi-media experience. These are songs that fed my mind as I considered this post and its upcoming parts. It’s also collaborative, so if you’re on Spotify, I encourage you to contribute as well as to listen. Mostly it’s for fun…testing once again how all of this interactive interconnected technology works. Enjoy.

1.     Green Day, “American Idiot”
2.     Public Image, “Rise”
3.     Nine Inch Nails, “Terrible Lie”
4.     Kanye West, “Monster”
5.     Florence and the Machine, “Kiss with a Fist”

(You can listen to and help build this playlist on Spotify here:

Friday, January 6, 2012

The Best of 2011...Is Yet to Come.

"Opportunity for Reflection"


The Best of 2011…Is Yet to Come

First of all, happy Gregorian 2012 to everyone!

In this season of endings and beginnings, I’ve been thinking instead about continuity and the hope that it offers us. After all, just a few weeks ago many of us were celebrating the winter solstice, that annual moment when Earth’s perpetual journey around the Sun begins to favor daylight over darkness. We could say with scientific certainty that brighter days were ahead. Ecologically, this is also the time when seeds stir in the earth and prepare for the upcoming growth seasons, even though their first green shoots are still a few months off. We celebrated that cycle of life along with the turning wheel of the seasons—the ongoing recurrence of natural patterns over time.

From the winter solstice, fast-forward a few weeks and the focus shifts to the close of the calendar year, a somewhat arbitrary and historically variable marker. After all, if you so desired, you could celebrate New Year’s Eve throughout the year, as long as you researched all of the lesser-known calendar-flips (Happy Gudi Padwa, everyone!) in addition to the more well-established date-changers, such as Rosh Hashanah and the Chinese Spring Festival. For much of the world, however, the calendar established by Pope Gregory XIII holds sway, making us all followers of the Catholic tradition, if only for a short time. This might explain all of those confessions of guilt and penitent vows of self-renewal associated with New Year’s resolutions. (Religious history purists can make what they want of the fact that January 1 also marks the supposed anniversary of Jesus’s circumcision. Perhaps that explains the noisemaker tradition?)

In western culture, the end of the calendar year has also become a time of retrospective judgment. “Best of” lists vie with “Worst of” lists for our consideration. Many of these seem contrived solely to boost sales at the end of the fourth business quarter (or second, if your company uses the July-to-June model). It’s probably no coincidence that the holiday season segues so seamlessly into the “awards season.”

For a long time, I was a huge fan of year-end best-of lists. Reading them was like sneaking a peek at the teacher’s edition of some cultural textbook: Had I chosen the right movies to watch? Did I memorize the words to the most worthy songs? Would reading the highest-rated books provide clues to help propel my own to the top of the list some day? One of my friends, a film studies major, regularly sent out a detailed report of his top-rated movies from the previous year, and I learned a great deal about cinema while studying his reviews and rationales. For weeks afterward, I sought out the films he had mentioned—no small feat, given the obscurity of some of them and the occasional lack of comprehensible subtitles.  

Then, one year during graduate school, it all went sour. A film critic published his “Best of the Year” list in the city’s newspaper. There were just a few slight problems. First of all, he hadn’t screened all of the movies that had been released that year (but then again, who could?). Perhaps more importantly, he confessed that he hadn’t yet seen some of the films topping the box office charts or other critics’ “best of” lists. Furthermore, several of the movies that he mentioned were well over a year old, and the reviewer admitted to having only SEEN them during the course of that calendar year. In short, his list was a sham.

A subsequent exchange of letters between the reviewer and me was quite instructive and forever changed both our minds about end-of-year pronouncements. During our conversation, we noted that a movie often takes years to produce and premiere. The film itself is, in turn, based on a screenplay that may have been written and developed for several years prior to that. By extension, some films are based on pre-existing stories and novels (and, in more recent times, comics and board games). Those original artistic creations themselves might have required years of germination. The date stamped on such a film (or novel or musical composition) masks years of hard work and risks becoming, as dates sometimes do, misleading and meaningless.

Based on these musings, I will go out on a limb and suggest that Jane Austen did not fret over the fact that Pride and Prejudice was not named “Best Novel of 1799,” the year in which she completed the first draft of the manuscript. In fact, she would have to endure another fifteen “not-best-of” years before the book was even published. This should serve as an inspiration to all of us who labor on long-term projects like novels, child-rearing, and the deployment of particle accelerators. Some things just take time. To appropriate T.S. Eliot, those of us who craft lengthy books should measure out our lives with coffee spoons and printer cartridges, not calendar pages.

So, for many who look upon the start of a new year as a time to “take stock and start anew,” I counsel patience and perseverance instead. There is no reason to pause at this specified instant and judge what we did or did not achieve in 2011. Opportunities for reflection will no doubt come in 2012, and we can decide for ourselves which moments and contexts best serve our current endeavors.

In the meantime, here’s looking forward—perhaps far forward—to those future years in which the seeds we planted all these past years bear fruit.

Friday, December 30, 2011

Saying Goodbye to Santa Claus



Saying Goodbye to Santa Claus

Spoiler Alert: Santa’s “Big Secret” revealed in this blog entry.


Exhibit One: Me with Santa Claus at home in the 1960s, proof positive that he exists.

Now that Santa has flown in, tucked gifts under trees both hither and yon, and headed back to the North Pole for some well-deserved R&R, I feel it’s time to take a look at one of America’s biggest myths and think about how it may have affected us as a nation…or not.

But first, in the spirit of the holiday season, I offer a nostalgic visit to my hometown in Massachusetts circa 1970. Picture plastic candles in each street-facing window and a lacquered pinecone wreath adorned with a festive red felt bow on the front door. If you peer in through the spray-on snow frosting the windows, you can see me carefully filling a plastic garbage bag with dozens of gifts. My parents watch, slightly puzzled but mostly silent, as I pull on my snow boots and mittens, then leave the house, bag slung over my shoulder.

A week or so earlier, I had learned a shocking truth that rocked my little world—a secret that had been kept by nearly every adult I had ever met. They had lied to me, these adults. People whom I had trusted entirely, including the local minister and my own parents, had taken part in an international conspiracy and perpetrated a myth, a fantasy, a fiction. The story included a conveniently distant setting, a saintly protagonist (whom I had met in person on several occasions), and a desirable plotline that evoked grand themes of peace, good will, and generosity. To cover their tracks, my parents had even planted evidence: sleigh bells jangled as sound effects in the wee hours of Christmas morning; cookie crumbs and half-drunk tumblers of milk left on the metal TV table set up alongside the chimney.

All of this was an elaborate scheme that blurred the lines between fiction and nonfiction, between fantasy and reality. Young and gullible, I was easily duped. Of course there was a Santa. Of course reindeer flew. Why even question the physics of how, in one single night, a rather rotund man could pilot a craft to every single household around the world and leave presents for all the good boys and girls—and still have time to toss back some cookies and sip some milk in each abode?

In asking me to believe in such fantastic things, my parents taught me an important lesson that would be vital to my budding literary ambitions: how to suspend disbelief. In doing so, however, they taught a corollary lesson: how to suspend belief. In other words, in order to suspend my disbelief in Santa Claus, I also had to suspend my belief in many of the lessons learned in grade school (science, geography, math, etc.).

In some ways, then, the revelation that Santa Claus was a fabrication probably came as something of a relief to me. The dissonance between fantasy and fact, between what I was being told to believe and what I was learning to be true, lessened. That psychological summary may be a bit too deep to ascribe to an eight-year-old’s consciousness, so let me state it another way: Santa or no, the presents were still there on Christmas morning, and so all was well with the world.

Luckily for me, my parents didn’t serve up the revelation about Santa Claus with a simple “Sorry, kid, but that’s just the way it is.” They discussed the importance of symbolism and how this extended to the Santa myth, claiming that while Santa himself may not be real, the spirit of giving that he represents lives on in the hearts and souls of all those who have heard his story. Any fan of the famous “Yes, Virginia, There Is a Santa Claus” newspaper editorial might have accused my parents of plagiarism, but I could tell they were sincere.

Still: Such power in a fictional tale! Suddenly, my dreams of becoming a fiction writer one day became a vastly more important, almost religious endeavor. See how the power of a story, even a fictional story like Santa Claus, could have such great positive effect on the real human world!

And so I headed off into the night with my makeshift Santa sack. Inside I had placed carefully wrapped toys and books for the kids, and on the second and third winters’ visits, some ribbon candy for the adults in each household. I carried on the tradition until, one year, something unexpected happened. Some families had wrapped and readied gifts and treats for me. Somewhat embarrassed by their assumption that I expected something in return, I ended the Christmas Eve tradition that same year.

For years, I forgot about this bit of personal history. I was recently reminded of it by an article about a Vermont teacher accused of being unprofessional and irresponsible for spilling the beans about Santa in a fifth-grade classroom. The teacher had asked students to list names of famous people in American history. In order to keep the lesson focused on facts, the teacher felt compelled to leave figures such as Winnie the Pooh, Harry Potter, and Santa Claus off the list. (I could not tell from the article if she allowed the also-mentioned Jeff Foxworthy and Justin Bieber to remain on the list, but that’s another discussion for another time.)

(The full article is here:

The mother who raised the “unprofessional” and “irresponsible” charges against the teacher went on to say that teaching about Santa Claus was like teaching about religion: the topic is best set aside with recommendations to ask one’s parents about such things. That seems fair enough…until I thought about the goals of education in general.

Since a good part of my day job (writing and editing educational materials) relies on the various state standards developed by school boards (many of them quite conservative) around the country, I know that “learning to distinguish between fantasy and reality” is a pretty important benchmark in the lower grades. (Keep in mind that the instance noted above took place in a fifth-grade classroom.) In other words, children are required to differentiate between nonfiction and fiction (fairy tales, myths, legends, and the like). Teachers are required to provide students with the skills and strategies to do this. By fifth grade, then, your average American student should have the reasoning skills to figure out the Santa thing on her/his own. Any parent who disagrees risks spotlighting their children as slow learners—perhaps along with themselves.

According to research done by psychiatrists at Ithaca College and Cornell University in the 1990s, the average American child learns the truth about Santa at age 7 1/2. However, after interviewing 500 elementary-school children, they discovered that “Many children kept up the charade after they knew the truth…because they did not want to disappoint their parents.”
Parents, take a moment to reflect one the meaning of that last clause (no pun intended). Your kids may be duping you into believing that they still believe in Santa. I think back on my own behavior as a pseudo-Santa and wonder if that was, in some warped way, an effort to turn the lies my parents had told me into truths…ergo, my parents had not lied to me after all.
Further, Dr. John Condry, one of the authors of the Ithaca/Cornell study, reported, “Not a single child told us they were unhappy or upset by their parents having lied about Santa Claus. The most common response to finding out the truth was that they felt older and more mature. They now knew something that the younger kids didn't.”
This finding surprised me. “Not a single child”? Parents, take another moment to think about telling your child that he or she cannot have a toy or candy bar that he or she has already selected while you were shopping at the grocery store. When you took the item away, was your child calm and well-mannered about it? Or was the response similar to those submitted for a recent Jimmy Kimmel spot in which the talk show host asked parents to tell their children, “Hey, sorry, I ate all your Halloween candy.” (Permissions permitting, the videotaped results of this rather non-academic study are here: http://www.huffingtonpost.com/2011/11/03/jimmy-kimmels-ate-halloween-candy-challenge_n_1074334.html)
In a 2006 opinion piece in the New York Times, Jaqueline Woolley wrote, “Children do a great job of scientifically evaluating Santa. And adults do a great job of duping them. As we gradually withdraw our support for the myth, and children piece together the truth, their view of Santa aligns with ours. Perhaps it is this kinship with the adult world that prevents children from feeling anger over having been misled.” What is this “kinship with the adult world” of which Woolley writes? Is it the tacit understanding that adults lie, and that it is OK for them to lie (or “support a myth”) on a grand scale?

Surely someone sees this Santa thing differently. For balance, I turned to a group whose opposition to myths and distortions is part and parcel of their identity: the objectivists. This group is huge these days with Republicans and the Tea Party, both of which have renewed a fervent interest in the writings of Ayn Rand, particularly as it applies to self-determination and self-interest. Surely, the somewhat socialist “give liberally to the poor children of the world” Santa myth (I base that description on the story’s historical roots in relation to Saint Nicholas, who, by the way, was also the patron saint of pawnbrokers) would be anathema to such a group. And it is.
According to Andrew Bernstein, a senior writer of the Ayn Rand Institute, “"Santa Claus is, in literal terms, the anti-Christ. He is about joy, justice, and material gain, not suffering, forgiveness, and denial.” Another quote from the article: "The commercialism of Christmas, its emphasis on ingenuity, pleasure, and gift buying, is the holiday's best aspect—because it is a celebration, the achievement of life."
(You can read the full piece, a celebration of the commercialism of Christmas, here:
http://www.aynrand.org/site/News2?news_iv_ctrl=1263&page=NewsArticle&id=7632)
All of this leaves me as puzzled about Santa Claus as I was when I learned the dark secret of his nonexistence. To this day, I give presents that have “From Santa” scrawled on the tag, and I try to mask my own handwriting despite the fact that the recipients know they’re from me. Likewise, I love surprise presents: gifts that appear out of the blue from anonymous sources, those random acts of kindness that rekindle our faith in human generosity. (Special kudos to Ben and Jerry’s for a coupon they once published that granted a free ice cream cone to the person in line behind you at one of their scoop shops. Brilliant.)

The spirit of Santa lives on and is no lie. It survives despite the increases in greed and entitlement—both running rampant through our society today, malignant cancers that question and threaten human compassion and generosity. I’d even argue that the spirit of Santa, despite its secularization over the decades, also maintains its ties to the spirits of nearly every religion, even those that claim independence from mythology or dogma.

In the years ahead, perhaps we can pull that spirit back from fiction and establish it fully as year-round fact. After all, nearly every child longs for Santa to be more than a seasonal fantasy. Maybe it is up to the child within us adults to make it so.

Postscript: I dedicate this blog entry to my father (pictured above as Santa) who passed away in 2011 and was very dearly missed this Christmas season. His many gifts to me continue to resonate throughout my life.

Friday, December 23, 2011

Cursing the Darkness



(photo from sometime back in the 80s, when
 I was experimenting with my first camera)

“It’s better to light one candle than to curse the darkness.”

Around this solstice, when the nights are at their longest, the quote above provides a rich opportunity for reflection. Derived from a Chinese proverb, the quote eventually became the motto of a group called the Christopher Society in 1945. Their mission statement directs the group to “to encourage people of all ages, and from all walks of life, to use their God-given talents to make a positive difference in the world.” Years later, Peter Benenson, the founder of Amnesty International, alluded to the proverb during a Human Rights Day ceremony in 1961. The saying most likely inspired the group’s current logo, a single candle entwined within barbed wire. Most famously, perhaps, the proverb was paraphrased by Adlai Stevenson, the U.S. Ambassador to the United Nations, in a tribute to Eleanor Roosevelt shortly after her death in 1962. “I have lost more than a beloved friend,” Stevenson said. “I have lost an inspiration. She would rather light a candle than curse the darkness, and her glow has warmed the world.”

We’ve heard many references to light, warmth, and “that special glow” during the holidays. They figure prominently in nearly every secular and religious celebration of the season. Likewise, we’ve also endured a fair share of quips and criticisms of those same sentiments. These aren’t entirely without merit, especially given the escalation of consumerism (and its twin sibling, capitalism) in American culture. You could argue throughout the entire long night over whether to call December 25 Christmas, Xmas, or ¢hri$tma$. Some people seem to make good money doing just that on the cable news networks. For them, it seems, Shakespeare was a prescient pundit when he wrote the line “Now is the winter of our discontent.”

For many Americans, this is indeed a winter of discontent. Some find themselves in dire circumstances unexpectedly and unwillingly; others seem determined to foster ill will and contempt as if to spite those in search of a spark in the darkness. Cynicism has infected the populace, manifested most conspicuously by vocal members of the Tea Party and Occupy Wall Street movements. Our political leaders, present and possibly future, bicker and argue, preferring to snipe at one another in an effort to score points rather than work together on real solutions to the day’s problems. Even literature and music, once places of refuge and sanctuary for me, have become overloaded with sass and snark. (More on this phenomenon in subsequent blog entries.)

In short, we find ourselves in dark times. What I wish for most of all this holiday season is a cultural solstice of sorts, a return to what truly matters in our lives. For me, this requires action and education on all our parts, the opposites of laziness and ignorance. We should be fostering community and passionate discourse, not demonizing one another and trading cheap shots in some petty game of one-upsmanship. We should, in short, illuminate one another’s lives, and reflect the light cast on us by others in the spirit of giving back and returning favor.

In closing, I offer up this quote from the New Testament of the Christian Bible. I’d prefer to change the word “armour” to “vestments,” but who am I to edit the work of countless translators and editors before me? I chanced across the line while doing research for this post. Then, when I went to verify the wording in my own Bible, the book opened directly to the proper page. Make of that what you will.

The night is far spent, the day is at hand: let us therefore cast off the works of darkness, and let us put on the armour of light. (Romans 13:12)

Monday, December 12, 2011

Touching the Nerve: Taking on "Tebow Time"

[Music cue:] Sound effect from “127 Hours,” just as Aron Ralston is about to slice the blade of his knife across the exposed nerve on his self-severed arm.

Over the years, I’ve learned that the best subjects to write about are the ones that touch nerves, and nothing seems to be touching nerves these days quite like the “miraculous” comebacks staged by the Denver Broncos. Strong feelings, pro and con, have led to strongly worded commentaries in the media and threatened to fracture friendships across the country. Obviously, it’s a topic worth taking on.

For those not familiar with football, the Broncos are the current leaders in the AFC West after having been dismissed by the pigskin pundits as a longshot for the playoffs. That was before rookie quarterback Tim Tebow took over the starting star position and led the team to win seven of its last eight games in clutch situations. Tebow is most widely known for his overt religious beliefs, which has led him to inscribe Bible verse references under his eyes during games, appear in an anti-abortion advertisement last year, and kneel down in prayer frequently during games to beg Jesus Christ for assistance. Tebow is also known for his rather mediocre NFL passing statistics coupled with a strong preference for holding on to the ball and running to make plays by himself.

As a person, Tim Tebow appears to be a natural leader. He has done an extraordinary amount of charitable work in his life to date—far more, most likely, than either his most vocal critics or advocates. His performance as a college quarterback made him a worthy recipient of numerous awards. In short, he seems like a pretty decent guy, especially in the company of his peers. He’s not working on a criminal rap sheet, not being caught in scandalous romances, and not making weekly headlines for trash-talking about his opponents.

So why all the hullaballoo? It’s not who Tim Tebow is; it’s what he stands for. With that in mind, let me make one thing clear at the outset: I’m talking about “Tebow Time” here, not Tim Tebow himself. This is a classic case of a public schism between man and myth, self and symbol, fact and fiction, and, in some ways, between reality and fantasy. No wonder it’s got so many people ticked off.

Americans, like many folks around the world, love their myths and legends. People are willing to twist history into a desired narrative in order to explain the currently inexplicable, maintain the established order, or justify unproveable beliefs.  Over the weekend, I noticed a number of commentators using the words “script” and “narrative” to describe how, yet again, the Denver Broncos were trailing in the final minutes of a game and somehow, miraculously (there’s that word again), won a game. According to an account I read this morning, Tim Tebow won the game against the Bears with two crucial field goals: one in the fourth quarter and one in overtime.

Of course, a writer/editor craves accuracy and specifics, so I must stop here to point out that Tim Tebow did not kick the tying or the winning field goal. He’s a quarterback, remember? But here’s the first thing about “Tebow Time”: For many people, it’s all about Tim Tebow. People desperately want it to be all about Tim Tebow. Why? Because to a great extent, American myths and legends are about individuals, not collectives. How many times have you heard this line in a movie: “You’re the only one who can save us.” From “The Matrix” to “Avatar,” this messianic streak is alive and well in American culture. You could argue that it matches the political tenor of the times: rooting for a collective team (of Muppets, let’s say, just to cite a most recent critique) seems, at its core, suspiciously socialist. So, let’s foreground Tebow and background the Broncos for the creation of this particular gridiron myth.

This creates an instant problem. As a quarterback in most games, Tebow’s performance has been sub-par. Just look at the statistics and compare them to any other quarterback playing the game today, rookie or not. Few people seem to be suggesting, however, that God or Jesus Christ or the Holy Ghost is motivating Broncos kicker Matt Prater, who scores so many of the “miraculous” winning points. In most accounts of the Broncos phenomenon, I’m sorry to say, Matt’s been a footnote. (Though I must point out, the poet in me craves a “Pray for Prater” campaign.)

So at the outset, a little bit of dissonance creeps into the picture, but let’s just ignore that for now. (If this is going to be a truly American myth we’re creating here, we’ll have to ignore the inconvenient facts for a while.) Instead, let’s consider that the Broncos are always a come-from-behind team, which makes them the underdogs in nearly every game. Despite its current standing as the #1 nation in the world, Americans love to consider themselves outsiders and underdogs. Who knows why; they just do. More on that in some future blog entry.

As come-from-behinders, Tebow and the Broncos always appear to be beating the odds. The “lamestream” media can make all the predictions they want; “Tebow Time” is all about pulling it out in the clutch. And if this is God’s plan, as Tebow fanatics would have us believe, it leaves a few uncomfortable questions. First of all, why does God let so many of Tim Tebow’s passes miss the mark? Why do the Broncos fall behind in nearly every game? Why is God such a tease? Why does God’s will always seem to necessitate and instance of dumb luck? If Tim Tebow is truly representative of divine forces on Earth, why did God not anoint a better quarterback? Why, for example, is there no halo around Aaron Rodger’s head? If there’s any argument to be made for true grace and strength in football these days, the holy land would be in Green Bay, Wisconsin (even if, technically, the Bronco’s Mile-High Stadium is closer to heaven).

One of the likely appeals of “Tebow Time,” however, is that Tim Tebow looks like a regular joe. Aaron Rogers used to have that look, but these days too much has been made of his swagger and confidence for him to satisfy the casting call for common-man hero. Instead, we have the narrative of the previously down-and-out Denver Broncos being led to victory by a back-up quarterback without any glitzy or glamorous advertising contracts (yet). The fact that some people question his skills and abilities just makes him more like us. After all, it was no miracle that Eli Manning scored two touchdowns against the favored Cowboys to win in the final minutes of the Sunday night game. You expect that from a Manning. But a Tebow? Nah, he’s not one of the “elite.” He’s one of us. His wins are, in a word, all the more “miraculous” because of that. We can relate to that. If it were you or me on that field on Sunday, we’d need a miracle to pull off a win as well.

By definition, a miracle is something out of the ordinary, something unexpected or unprecedented. When people rhapsodize about “Tebow Time,” they often suggest that they’ve never seen anything like this before. But let’s again look back on American mythology. We have seen this before. In fact, in hard economic times, we see it time and time again. Consider James Braddock, the supposedly down-and-out boxer from the 30’s whose inspirational rise to the championship became a national fixation during the Great Depression.  Or Seabiscuit, the odds-against underhorse who likewise inspired hope in the odds-against masses of the Depression. In more recent times, I’d even mention the post-9/11 New England Patriots with their own fresh-from-the-bench backup in the lead, Tom Brady. In all of these cases, America latched on to an underdog, finding hope in those who rose despite serious adversity.

But wait a moment. I may have gone a step too far here. Oh, those beloved Patriots of old, who refused to be introduced as individuals in Super Bowl XXXVI, instead staying true to their claims of being “a team.” They were up against the clearly favored St. Louis Rams, led by a man as God-fearing then as Tim Tebow is today: Kurt Warner. And lo, the Rams lost. In the final moments. By a field goal. Dear God.

I’m not writing this to sing the praises of kickers like Adam Vinatieri, though I certainly could after that clutch kick. I’m writing this because writers like narratives, and the current Denver Broncos story is one of today’s most talked-about examples. But like many writers, I question narratives that distract from the central questions, whether those questions be of the narratives themselves or the contexts in which those narratives occur. And with “Tebow Time,” the central question seems to be about the positive influence of Christianity in major-league athletics.

My argument is simple: It’s not that simple. It’s never that simple. People wouldn’t be risking careers and friendships if it were that simple. On any given Sunday (great movie, by the way), professional athletes praise their Almighty and point to the sky all the time after a great play. Keep in mind that a fair number of darn good pro football players are Muslims, by the way. Oh, how this narrative would play out differently if Tim Tebow were praising Allah and facing Mecca after every victory.

But something in America, nearly all of America, craves a new hero these days. We’re looking for someone like us, facing oppressive challenges and persevering despite dominant adversaries. With the political and economic outlooks both bleak, we want a light in the darkness. We want reassurance, an optimistic narrative, an uplifting myth. Some may turn to movies and music, others to fiction and poetry. Others will look to the stadium on winter’s Saturdays and Sundays.

Even so, some Americans don’t want that dream to have a religious prerequisite. They don’t want it to have political or financial prerequisites, either. We’d prefer that it take place on that mythological “level playing field,” especially as so many other myths seem to be crumbling around us.

This seems to get at the heart of the “Tebow Time” narrative. With “Tebow Time,” there is no level playing field. If we take that myth at face value, then no amount of skill, talent, spirit, or grace will help you win in the end. After all, Tim is the Chosen One. He is the only one who can save us all. The health and survival of America’s entire professional sports conglomerate depends on that one person.

If you mistake that myth for reality, then God help us, every one.

Friday, November 25, 2011

Thanks Unspoken for Things Unknown


My mother and her mother, 1966.
“I never liked turkey,” my mother confessed to me several weeks before her death.

I had just offered to heat up some leftovers from the previous day’s holiday dinner, which she had eaten with seeming enthusiasm. It had been one of those rallying moments that the healthy label “miraculous” but which, as my mother was now pointing out, require some sacrifice from the infirm. Lying there in a hospital bed that dominated the small living room of her and my father’s condo, she had been well aware of the significance of the gesture. Her own mother had come to share the meal, and the hopeful smile on my grandmother’s face was ample reward for swallowing a few bites of turkey.

A day later, however, there was no need to perpetuate the myth. “I only cooked turkey all those years because the family liked it,” my mother continued with the tone of relief that comes only from telling a long-hidden truth. “Mom Basting the Turkey” images flickered through my mind as if inside an old-time kinetoscope. This time, however, the sepia tones of nostalgia were tinted with guilt and grief, a once-bright penny turned green. 

There was much that my mother, like countless other mothers of her generation, bore in silence. She had her occasional moments of frustration, especially after treatment after treatment failed to cure her cancer, but mostly she held up a solid front. This was, after all, what one expected from Mother, the traditional archetype. If the holiday season demands anything from us, it demands fealty to both tradition and archetype.

And so, this Thanksgiving, I read and listened as folks shared thanks for the standard list of reasons and recipients. I also read and listened as the opposing side voiced equally generic complaints about the holiday, lacing their mock apple pies with cynicism instead of cinnamon. Same penny, different faces: one side sepia, one side green.  

In the end, I have to say I side more with sepia. Why? Because my mother sacrificed too much all those years to jade her memory—our memories—today. She cooked all those turkeys as a gift to her family, and that memory stands as a tribute to a type of selflessness that can be rather hard to discern amidst today’s scenes of hyperconsumerism. We can certainly question its origins and debate its evolution, but the fact remains that in our household at least, my mother did what she did out of love. “Thanks” is the least I can say in return.